The Flip Side of the Coin transformed Chemist Gallery by bringing the commercial exhibition space into collision with its hidden domestic architecture. Artists moved between finished work and rehearsal, control and improvisation, while audiences circulated through performances unfolding simultaneously across the building.
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Liberating Love traced Croydon’s queer history through an exhibition bringing past and present into dialogue. An archival installation centred on the activism of Ray Harvey-Amer sat alongside a contemporary portrait series of Croydon’s queer community, while street banners carrying quotations from queer artists, writers and activists extended the project into public space.
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Norwood JunKAction is an ongoing social practice project founded by Norman Mine in South Norwood, transforming environmental action into a space for collective making. Litter-picking, discarded materials, workshops and public interventions become ways of bringing people together, experimenting with ideas and reimagining how a community relates to its neighbourhood.
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The World as a Stage transformed an unfinished scaffolding structure into a monumental outdoor screen. Created against the uncertain future of The Cass, the work projected fleeting scenes of everyday life at architectural scale, bringing the instability of an institution into contact with the vulnerability and impermanence of ordinary human behaviour.
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Wai(s)ting Your Time Away transformed a former railway waiting room into a space where waiting itself became the subject of the work. A reconstructed wooden jetty extended through the gallery, bringing together two architectures associated with anticipation: the station and the point of departure. Wooden jetty, fans, theatre spotlight and site-specific sound installation Jetty: 400 × 130 × 140 cm
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